Non-Actionable Puffery

Naturally I’ve decided that this is the year to rewatch some best-beloved Christmas movies, so I kicked off the season with The Man Who Invented Christmas, starring Dan Stevens as a charming but moody Charles Dickens as he scrambles to write A Christmas Carol in time for the Christmas rush in order to save his tottering finances.

This is such a fun movie. I always love a period piece, and I love Dan Stevens, and I love movies about creating art of any kind (if it’s well done, which it isn’t always…), and this one has such a good balance of seriousness and humor.

On the serious side, we have the demons of Dickens’ childhood coming back to haunt him, especially in his difficult relationship with his father, to whom he is far too similar for comfort. He inherited his father’s charm, his taste for the high life, his gift for performance - and he’s afraid he’ll follow his father’s example by running his family into debtor’s prison with his extravagant spending. A new house! All remodeled! A crystal chandelier and a mantelpiece of Carrera marble!

Unlike his perpetually sunny father, Dickens also has darker moods, where the charm gives way to abrupt outbursts of rage. He stalks around his study in the middle of the night making a racket when composition isn’t going well, apparently unaware that he’s keeping the whole house up. He snaps at his wife, sends away a long-time friend, fires a servant girl - then in the morning demands to know why the servant girl is gone. “You have no idea,” Mrs. Dickens tells him, on the verge of tears but displaying all the self-control Charles lacks, “how hard it is to live with you.”

(I’m happy to report the servant girl shows up again, and is of course rehired. I sort of suspect that the housekeeper keeps these impetuously fired servants in an out of the way corner for a day or two just in case Dickens didn’t really mean it.)

But this is not a grim study of a historical figure’s dark side. There are so many wonderful funny bits, too. In his good moods, Dickens is incredibly charming and funny - you can see why all these people put up with his darker side, just because the lighter side is such a delight.

I love Trollope as the guy in the club who always comes over to commiserate (gloat) when someone receives a bad review. Those cruel reviewers, claiming that Martin Chuzzlewit was “dull, vapid, and vulgar” (which Trollope quotes from memory). “I didn’t think it was vulgar,” Trollope assures Dickens, who is looking for an exit, but fortunately Trollope sees someone else who just got a bad review and scuttles off to crow. I mean sympathize.

And I loved how the Christmas Carol characters start appearing to Dickens. As he gets deeper into composition of the book, they start following him around. There’s an especially funny bit where Dickens looks out a window - he’s trying to avoid the book because he’s struggling with the ending - and the characters are all standing in the street below. Mrs. Fezziwig waves a handkerchief at him.

Also, I covet Dickens’ book-lined study, with a little half-staircase up to a mezzanine level with more books. Why is the study built like that? Who can say? Possibly on purpose to be charming, and charming it absolutely is.